Itinerary 3 - Between the Tagliamento and the Meduna
18
km
12
stops
30'
duration
18
km
12
stops
30'
duration


The disappeared forest - Itinerary 3 departure
Human action modifies the territory
Agricultural colonization has developed in recent centuries on land that was originally forested (as evidenced by the toponym Roncs, deforestation, which identifies the nearby area), giving rise to scattered farmhouses and small rural blocks of flats.

Ford on the Cosa in Barbeano
When life revolves around water
From the old town centre of Barbeano, two main roads extend eastward toward the Cosa stream. Via Spilimbergo starts from the widening above the church, while Via Cosa—just a short distance away—passes below it. The former was the historical route to Spilimbergo, while the latter led to Gradisca and the Tagliamento ford. Both roads crossed the Cosa stream, serving as vital links that connected Barbeano to important trade routes.

Church of St. Anthony Abbot in Barbeano
A half-hearted last judgement
The exterior of the building reflects renovations carried out in the 20th century. However, inside, the apse is adorned with well-preserved frescoes by Gianfrancesco da Tolmezzo. Prominent in the center are the Nativity and the Adoration of the Magi, while the Last Judgement is depicted on the left. Under the watchful eye of Christ and the heralding angelic trumpets, the Elect enter Paradise. Over the years, though, the depictions of the damned have gradually faded.

Reorganized great prairies
The ancient streets in the middle of the greenery
Just outside Barbeano, the prairie landscape was the norm in the period of the ancien regime. The topographer depicted the few cultivated and private lands as islands within a large green environment.

Church of San Nicolò (also known as Del beato Bertrando)
Patriarch Bertrando's last breath
The small church, dating back to the 12th century, is well-known in Friuli for the murder of Bertrando of Saint-Geniès, who was ambushed by noble conspirators in 1350. Women would rub their handkerchiefs on the blood-stained stone to keep as relic. On the lawn outside the church, a memorial column still commemorates the crime. The church features a precious stone altar (once beautifully painted) by Lombard sculptor Pilacorte in 1497.

San Martino al Tagliamento: Three villages side by side
Settlement of Roman origin
The area was certainly already inhabited in Roman times: in fact, many archaeological finds have been discovered. In medieval times the center of the village, where the parish church stands, was protected by a centa or curtain, a defense structure typical of rural Friulian villages of the Middle Ages

St. Martin's Church
Il Pordenone’s giant
The current building dates back to the 19th century, though the original structure is from the 11th or 12th century. The most significant period was the 16th century when notable artists were commissioned to decorate the church when it was expanded. Among them were Il Pordenone, who created the Saint Christopher, Pomponio Amalteo, stone sculptors from Meduno, and a wood sculptor from the school of Domenico da Tolmezzo. This resulted in a remarkable concentration of artistic work.

The canal and the mill in Postoncicco
A fourteenth-century mill
Nowadays the structure, which is spread over three floors, appears to have been much remodelled, but in reality the building is of very ancient origins. The equipment with the stone grinding wheel is preserved inside; Canals, locks and a 36-bladed wheel are visible on the watercourse. For its operation it exploited the water of the so-called "mill canal", which originates in the municipality of Castelnovo del Friuli and descends through Tauriano, Provesano, Postoncicco, Valvasone and beyond.

Church of Saints Philip and James
Dedicated to Saint James, but which one?
Restoration work carried out in the 1980s uncovered a true gem of Friulian art. The oldest frescoes on the side walls of the hall, created by unknown artists, date back to the late 14th century. Pietro da San Vito painted the apse in the early 16th century, while Bellunello contributed to a half-hidden niche in the late 15th century. Nearby, ancient burials reveal the history of the people who lived here.

Church of St. Oswald in San Martino
A church for masters and sharecroppers
Built to a design by Pietro Novelli from Lombardy in the second half of the 17th century, this small private place of worship was consecrated in 1684 to serve the landowners and farmers working their land. It was commissioned by Gian Domenico Partenio, a priest and composer who led the ducal chapel choir of St. Mark's Basilica in Venice. Interestingly, the small bell gable is located at the back rather than on the façade.

Villa Partenio (currently Tenuta Pinni)
A Lombard villa on Venetian soil
The country villa was named after the Partenio family, descendants of the famous 16th-century humanist Bernardino. Built by workers from Lombardy between 1667 and 1690, it features a distinctive design that sets it apart from traditional Venetian villas. The three-story central building, which served as a residence, is flanked by two symmetrical relatively short barchesse – typical rural service buildings of the architecture of Venetian villas – featuring characteristic double-height porticoes.

Rivis FordI - Itinerary 3 arrival
The bond between two communities
It is the ford that once led to Rivis, on the left bank, in the municipality of Sedegliano, with which relations were very close and frequent. In this context, the ford acted almost as an umbilical cord, which bound two communities separated by water but united by a common history
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